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 Jane
Urquhart
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About the
author and her works
Jane Urquhart was born in the small northern Ontario mining community of Little Long Lac
(near Geraldton) and
spent her later childhood and adolescence in Toronto.
She has published three books of poetry (I'm Walking in the Garden of His Imaginary Palace, False
Shuffles, and The
Little Flowers of Madame de Montespan), four novels (The Whirlpool, Changing
Heaven, Away, and The Underpainter),
and a collection of short fiction (Storm Glass) as well as numerous articles and
reviews.
Jane Urquhart's books have been published in many countries, including Holland, France, Germany,
Britain, Scandinavia, Australia, and The United States, and have been translated into several
languages. In 1992, her novel
The Whirlpool was the first Canadian book to win France's prestigious Prix du Meilleur Livre Etranger (Best Foreign
Book Award). Her third novel, Away, remained on Globe & Mail's National Bestseller list for 132 weeks
(the longest
of any Canadian book), and won the 1994 Trillium Award. In 1994 Urquhart also received the Marian Engel
Award for an outstanding body of prose written by a Canadian woman. In 1996 she was named to France's Order
of Arts and Letters as a Chevalier, and Away was shortlisted for the International IMPAC Dublin Literary Award ,
the world's largest literary prize for a single work of fiction. In 1997 Urquhart was asked to serve on the jury for
this award.
Jane Urquhart has been Writer-in-Residence at the University of Ottawa and at Memorial University of
Newfoundland and, during the winter and spring of 1997, she held the Presidential Writer-in-Residence
Fellowship at the University of Toronto. She has also given readings and lectures in
Canada, Britain, Europe, the
USA and Australia.
Jane Urquhart's first three novels have recently been reprinted in beautiful new trade paperback
editions. In the
fall of 1997, her fourth novel, The Underpainter, was published to wide critical
acclaim, won the 1997 Governor
General's Award, and became a fixture on the national bestseller lists.
The author lives in a Southwestern Ontario village with her husband, Tony
Urquhart.
from: http://www.library.utoronto.ca/canpoetry/urquhart/bio.htm
("Biography" on the author's homepage)
Awards:
Governor General's Award for fiction, for The Underpainter, 1997.
Marian Engel Prize, 1994.
Trillium Book Award, 1993.
Le Prix de Meilleur Livre Étranger (Best Foreign Book Award), France, for The Whirlpool, 1992.
Les Lettres Nouvelles, Maurice Nadeau.
from: http://www.swifty.com/twuc/urquhart.htm
Storm Glass (collection of short fiction): http://www.mcclelland.com/releases/stormglass.html
Changing Heaven: http://www.mcclelland.com/releases/changing.html
Author's homepage: http://www.library.utoronto.ca/canpoetry/urquhart/index.htm
Interview: "A portrait of success" (about "The
Underpainter", 1997): http://www2.varsity.utoronto.ca/groups/varsity/archives/118/dec10/review/Jane.html
Jane Urquhart
Each of her novels has brought Jane Urquhart increased attention and acclaim. Saturday Night described her novel
Changing Heaven as a "beautifully written book" that "throbs with the storm and wind of passion" and Janice Kulyk Keefer has
called Urquhart "One of the most compelling and accomplished voices in contemporary Canadian fiction." Of her enormously
successful 1993 novel, Away, Timothy Findley wrote: "It is a great romantic tale - rich in imagery and with language worthy of
Emily Brontė and Thomas Hardy. Like these writers, she is unafraid of words and spends them fearlessly. The uses to
which she puts her command of language are beautiful and breathtaking."
Away earned Urquhart both national and international acclaim from critics and readers. On
the Globe and Mail bestseller list for 132 weeks, a record for any Canadian book, Away has,to date, sold over 55,000 copies and was shortlisted for the prestigious International IMPAC
Dublin Literary Award. Her fiction has won such awards and honours as the Trillium Award,
the Marian Engle Award, and France's Prix de meilleur livre étranger (Best Foreign Book
Award). She was recently named a Chevalier dans l'Ordre des Arts et des Lettres in
France. In addition to her four novels, The Whirlpool (1986), Changing Heaven (1990),
Away (1993), and The Underpainter (September 1997), Urquhart also has written a
collection of short stories, The Storm Glass (1987) and three volumes of poetry: False
Shuffles (1982); I am Walking in the Garden of his Imaginary Palace (1982) and The Little Flowers of
Madame de Montespan (1983).
Readers enchanted with Away are eagerly awaiting the September release of Urquhart's new novel
The Underpainter. Called, "her most mature, ambitious and best work of fiction to date," The Underpainter is a novel
which juxtaposes love and art, spanning decades and traversing several landscapes and locations. Urquhart's
mastery of language and her ability to weave story and create memorable characters are in full force in this new
novel. The Underpainter is Urquhart's fourth novel and, if anything like her previous novels, will be a rewarding
and enchanting read. It is due to be released in Canada in September 1997 and later in the fall in the United States,
the United Kingdom, and Germany.
Readers unfamiliar with Urquhart's work will discover novels that display her ability to weave rich narrative
tapestries which shift between the nineteenth and twentieth centuries, between real and imagined worlds, and
between characters, their settings and their stories. In her first novel, The Whirlpool, a whirlpool at the base of the
Niagara Falls pulls together the stories of a dying Robert Browing, a beautiful woman married to a military historian
and in love with Browning's poetry, and, an undertaker's widow who lives near Niagara Falls. Changing Heaven
intertwines the histories of a contemporary Brontė scholar who finds herself on the moors of England, a
nineteenth-century balloonist named Arianna Ether, and the ghost of Emily Brontė. Away, set in both the twentieth
and nineteenth centuries, in Ireland and in Canada, traces several generations of the O'Malley family. All three
novels blend story, space, time, reality and myth into compelling, highly readable narratives by one of Canada's
most exciting novelists.
Jane Urquhart was born in Little Long Lac, Ontario and grew up in Toronto. She has been writer-in-residence at a
number of Canadian universities, most recently at the University of Toronto. She lives with her husband, artist Tony
Urquhart, in a small town in southwestern Ontario.
Author profile written by Heidi LM Jacobs
from: http://www.nwpassages.com/bios/urquhart.asp
 
Away
By Jane Urquhart
Published by McLelland and Stewart
ISBN 07701-86598
March/96
Reviewed by Sharon Greer
The three most short-lived traces: the trace of a bird on a branch, the trace of a fish on a pool, and the trace of a man
on a woman.-- An Irish triad
I can't say enough good things about Canadian writer Jane Urquhart's third and latest enchanting novel, Away.
Beginning with the present day, this narrative spans three generations in an Irish family, whose ancestors came to
Canada in the 1840's, as a consequence of the devastating and horrific conditions of the so-called "Famine."
When this complex story opens up on the shores of Lake Ontario, we slowly learn of the demise of the family home
due to the voracious jaws of industry.
We are taken back and forth through time throughout the novel, as a very elaborate and layered story emerges of a
family fighting for survival and the ghosts from the past that keep haunting each successive generation.
Urquhart is a talented, exceptional writer whose prose is exquisite. I couldn't put this book down and I was amazed at
how well Urquhart could blend together the historical aspects of Canadian, Irish and Native cultures so wonderfully
well.
One encounter with a Native character, Exodus Crow, exemplifies the close affiliation and history that the Irish and
Native Indians share. Both cultural groups have survived the many attempts made to annihilate them.
As Exodus states, "She told me that on the big island (Ireland) there were once forests as thick as those here in this
land (Canada) but that the old kings and lords of England had cut down each tree until only bare hills were left behind.
And so I told her that some white men had seized my people's land and killed many animals for sport and abused our
women. She embraced me and said that the same trouble stayed in the hearts of both our peoples."
This compelling story, filled with wonderfully eccentric personalities, grips you right up to the conclusion involving the
assassination of D'Arcy McGee.
Jane Urquhart was born in Geraldton, Ontario, and grew up in Toronto. Her previous two novels were The Whirlpool,
which won the Best Foreign Book Award and Changing Heaven.
from: http://celtic-connection.com/lit/away.html
 Away
Jane Urquhart
McClelland & Stewart Inc.
1993
$19.95 (Can)
ISBN #0-7710-86450-4
With a glance at Jane Urquhart's long list of awards, its no surprise that Away is among the
most splendidly written novels that I have ever read. The plot follows an Irish family's
migration to Canada after having barely survived the potato famine, and their settling of the
strange and brutal wilderness that was early Upper Canada. Additionally, Urquhart also
describes Irish patriotism, and the destruction of Irish and Celtic culture by the English.
Although these are all noble and well written themes in the book, the most prominent one is
the Celtic phrase Rian fir mhanoi (the trace of a man on a woman), and how it touches the
women of this family.
Without being repetitive, I must comment on Urquhart's writing style, as it is nothing less
than pure prose. Canadian history is a largely boring subject, as are, in my opinion, most
historical novels. I couldn't put Away down, and however sappy this may sound; Urquhart
brought me to tears with her eloquent account of the mass injustice and death that took
place during the Irish famine.
Throughout the novel, the theme which is both largest and truly most haunting is Rian fir ah
mhanoi, and how three generations of women in this family have been haunted by their first
loves and in turn how that same haunting can spread and bounce and destroy tranquility,
as a pebble will the peacefulness of a still pond.
Away is so bea
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